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Dietro alla sigla Quartetski Does Prokofiev in verità si cela un quartetto di jazzisti condotto dal contrabbassista / arrangiatore Pierre-Yves Martel che intende non solo offrire un tributo alla musica del grande compositore russo ma anche proporne una eccitante esplorazione.
Höchst abwechslungsreich und typisch pluralistisch springt die Musik von heiteren zu burlesken, von süßen zu fröhlichen, von wilden zu gramerfüllten Stimmungen.
Amidst the unrest of the Russian Revolution, Sergei Prokofiev wrote his Visions fugitives op.22, a series of short pieces for solo piano. The Visions were ideas or sketches that he captured and then set down on paper before they faded from his consciousness. Most of them are tens of seconds long, the longest barely reaching the two-minute mark.
It was the spontaneity of the pieces that caught the attention of Montreal double bassist Pierre-Yves Martel, whose ensemble Quartetski Does Prokofiev re-envisions the Visions fugitives in an improvisational context. Martel arranged the pieces for free-jazz quartet with the intention of using them as vehicles, bridges and platforms with which to explore new musical spaces. In his arrangements, he remained faithful to the spirit of the Russian composer, imagining how Prokofiev would have orchestrated the Visions had he adapted them to a modern jazz ensemble.