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It is an engaging piece of work.
Face à la dérive is evidence that the best documentaries are even better when they feature the documentarian(s)
During a ten days residence in Rimouski (Québec), the artists made documentary sounds recordings: interviews and soundscapes. They listen to the sounds heard along the St Lawrence River, underwater, and to the voices of peoples living around. Based on a dynamic use of these recordings, “Face à la dérive” is a cycle of improvised performances using both musical intruments and acousmatic sounds.
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