Mecha Fixes Clocks: Orbiting With Screwdrivers: critiques

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Orbiting With Screwdrivers

Mecha Fixes Clocks: Côté

Orbiting With Screwdrivers

Alien8 | ALIEN 50 | 2005

CD 25.00 CA$ [?]

pour ajouter à votre panier, cliquez le prix (le prix inclut toujours la manutention et le port par avion)

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Disques

par Pierre Durr in Revue & Corrigée #70 (France), 1 décembre 2006 |3202|

Concocté par Michel F Côté, sous une identité nouvelle, Mecha Fixes Clocks, laquelle associe à son créateur une douzaine d’autres musiciens de la scène québécoise (Martin Tétreault, Diane Labrosse, Jean Derome, Bernard Falaise, Christof Migone…), cet album est une construction réalisée en studio et s’apparente à des travaux de collages: les partenaires n’apparaissent que sous forme de bandes préenregistrées, utilisées pour tel ou tel effet, prolongeant ou amplifiant un processus et une ligne directrice parfaitement maîtrisés. Inventif, sans les excès qui font fuir les non initiés, séduisant mais sans flagornerie sonore, Orbiting with Screwdrivers agit en effet comme un paysage sonore impressioniste, sorte de musique ambiante quelque peu glauque, parfois inquiétante, mais toujours délicate, qui mêle instruments acoustiques et expérimentation électronique.


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Soundcheck Review

par Keith Moliné in The Wire #260 (RU), 1 septembre 2005 |6118|

«Melancholia has rarely sounded so vibrant.»

The first fruits of the latest project of Montréal percussionist and composer Michel F Côté, Orbiting With Screwdrivers is a delectable amalgam of low key electronic experimentation and finely wrought acoustic improvisation, sculpted into a series of beautifully mournful compositions. The mercurial impishness of much of Côté’s work with the Ambiances Magnétiques collective is largely absent here, the album’s eight pieces positively oozing melancholy. Côté’s team of collaborators is a veritable pantheon of Musique Actuelle superstars, with violinist Jean René, guitarist Bernard Falaise and pianist Jacques Drouin making particularly noteworthy contributions. With the exception of the springy bassline that underpins the coda of Planet Genre Specific and the Harry Partch-like bell patterns that interweave with Drouin’s decidedly John Tillbury-informed piano clusters on Nano Rotary For Nothing, the album is without pulse. Yet strangely, a feeling of time passing languidly, steadily, steeped in slow regret, permeates each track. Passages of dark beauty abound, among them the lonely woodwind chorale that ends Disability for Emotion, Falaise and René’s shifting suspended chords on Mechanisms Rarely Last, and the dense, microtonal accordion textures of Give My Regards to Time. The addition of quietly abrasive electronics and homemade machines and gadgets colours the music with subtle, unobtrusive delicacy, while heightening the atmosphere of aged resignation and nostalgia.

That’s not to pigeonhole Orbiting With Screwdrivers as some kind of Ambient washout. This is harmonically and texturally challenging music, its emotional effect complex and powerful. Côté and co have produced a soundtrack to modern misery whose strength of vision forestalls any notion that their work is dire or depressing. Melancholia has rarely sounded so vibrant.


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Review

par Frans de Waard in Vital #475 (Pays-Bas), 18 mai 2005 |958|

«the sparsely orchestrated richness offers potential… Great music…»

Although Michel F Côté is announced as a ‘veteran of Montréal’s thriving experimental’, I never heard from him. He is active in the musique actuelle community (and perhaps better known by Vital Weekly’s Dolf Mulder). As Mecha Fixes Clocks he recorded an album with himself playing electronics, percussion, keyboards, accordion, machines, computer and home-made instruments, but inviting a whole bunch of people from Montréal to play a whole bunch of other instruments, such as clarinet, bass flute, trumpet, viola, piano but also sampled CD, needles (by Martin Tétreault) and home spun electronics (by Christof Migone). Despite the long list of people playing on this record and the vast amount of instruments, this is rather a ‘quiet’ record, almost pastoral in atmosphere. Sustained notes played on wind instruments, usually only a few at a time, a guitar being strummed in sheer isolation, the field recording of an otherwise empty desert: it is perhaps easy yet not be avoided, but one can say that this is music for films - I’m not sure what kind of film it would be, but the sparsely orchestrated richness offers potential to anyone with a camera. Great music, where less is more, indeed.


Mecha Fixes Clocks: Orbiting With Screwdrivers: critiques

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Les prix sont en dollars canadiens — 1.00 CA$ ~ 0.81 US$ ~ 0.64 € ~ 0.55 £ ~ 1.25 AU$ ~ 78.92 ¥ ~ 6.48 SEK — et incluent la manutention, le port et les taxes (lorsqu’applicables).


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